Books with title The Man

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Young interior designer Ava O’Shea has an appointment for a first consultation at The Manor with the owner, Mr Jesse Ward. She is expecting nothing more than an overweight, cravat wearing, well-to-do countryman, and on arrival, nothing would suggest otherwise. How wrong could she be? This Man is devastatingly handsome, charming and confident. He is also a conceited, hedonistic playboy, who knows no boundaries. Ava desperately does not want to be attracted to him, but she can’t control the overwhelming effect he has on her. Every instinct is telling her to run, so she does, but Jesse Ward is not so willing to let her go. He wants her and is determined to have her. She knows she is heading for heartbreak, but how can she run when he won’t let her?

Squire Stephen Norman is lord of the manor in Normanstead. He marries Margaret Rowly, younger sister of his friend Rowly (squire of the neighboring town). Desirous of an heir, Norman and Margaret have a baby girl and Margaret dies shortly after the birth. Norman promises her that he will love their daughter as much as he would have loved a son, and Margaret asks him to name the girl Stephen. Squire Norman his daughter Stephen as a tomboy. Margaret's spinster aunt Laetitia Rowly moves in to help care for Stephen, who is dominant, assertive and free-thinking. When Stephen is six, Norman's visiting college friend Dr. Wolf tells her about his 11-year-old son Harold. The girl asks Wolf to bring Harold on a future visit, and the children become friends. Two years later, Dr. Wolf dies of pneumonia and Squire Norman promises to raise Harold as if he were his own son. Stephen and Harold visit the graveyard of the Church of St. Stephen in Normanstead (where all her ancestors are buried), and find the crypt unlocked. Stephen and another young boy, Leonard Everard, explore the crypt. Harold finds Leonard running out of the crypt and Stephen unconscious on the floor in front of a coffin. Leonard tells her that he carried her out of the crypt, and she begins to admire him.

Squire Stephen Norman is lord of the manor in Normanstead. He marries Margaret Rowly, younger sister of his friend Rowly (squire of the neighboring town). Desirous of an heir, Norman and Margaret have a baby girl and Margaret dies shortly after the birth. Norman promises her that he will love their daughter as much as he would have loved a son, and Margaret asks him to name the girl Stephen. Squire Norman his daughter Stephen as a tomboy. Margaret's spinster aunt Laetitia Rowly moves in to help care for Stephen, who is dominant, assertive and free-thinking. When Stephen is six, Norman's visiting college friend Dr. Wolf tells her about his 11-year-old son Harold.

The Man by Bram Stoker is a Gothic romance that follows the life of Stephen Norman, the daughter of Squire Stephen Norman, the lord of the manor in Normanstead. Margaret Rowly marries Squire Stephen whom they raise as a tomboy, as the squire had always wanted a male a heir. Margaret dies, but the squire and Margaret's aunt Leatitia Roely, who moves in to help with the child, continue to allow miss Stephen to grow into a headstrong, dominant, free-thinking, and assertive force. Complicating the matter, the Harold van Wolf, son of one of Squire Stephen's friends, moves in with the squire after his father dies. A child mate, Leanard Everhardt, and miss Stephen explore a crypt where her ancestors are buried. Stephen collapses and Leonard carries her from the crypt, after which she is enamored with him. The two male characters lead to complications when Stephen comes of age. So who is "The Man" in the title. It could be any of the three. Will Stephen be a precursor to modern feminists? The story moves along briskly with thrilling action and amazing coincidences to a bit of a disappointing conclusion. Still, the story is decent and worth a read for a view into the societal mores of the period.

Young interior designer Ava O’Shea has an appointment for a first consultation at The Manor with the owner, Mr Jesse Ward. She is expecting nothing more than an overweight, cravat wearing, well-to-do countryman, and on arrival, nothing would suggest otherwise. How wrong could she be? This Man is devastatingly handsome, charming and confident. He is also a conceited, hedonistic playboy, who knows no boundaries. Ava desperately does not want to be attracted to him, but she can’t control the overwhelming effect he has on her. Every instinct is telling her to run, so she does, but Jesse Ward is not so willing to let her go. He wants her and is determined to have her. She knows she is heading for heartbreak, but how can she run when he won’t let her?